Given that the original footage was shot in ambient, indoor light, I'd say I'm pretty pleased with the quality of the results. I've been using Premiere and After Effects. My editing workflow, including the LUT transformation, is all 32-bit, in order to minimize further losses due to precision. The final output is still in 8-bit, but that limitation is essentially the purpose of the log transformation - by converting the pixel data to log before rendering out in 8-bit, more of that limited bit depth is dedicated to shadow detail at the expense of highlight detail, which is desirable because humans can discern shadow detail better than highlight detail. 709.įiLMiC uses some patent-covered processes to retain as much precision as possible from sensor data -> log output, with all of the internal math done in 10-bit precision. You're still going to have more issues with noise and banding on a smartphone than a dedicated video camera, but so far I think shooting in log and then grading it produces better results than shooting directly in Rec. This is the clip after the LUT and some additional grading: I don't have any footage I've shot and graded to the best of my ability, but I do have the results of a test shot I spent a little time on today. I hope it helps! Feel free to share all you want. This LUT represents the cumulative result of a FiLMiC Log -> Linear transformation, followed by a Linear -> Rec. If you're wondering "why not a 3D LUT?" it's because a 3D LUT is not necessary in this case, as the adjustment being made doesn't change the gamut of the footage - it's merely an equal curve adjustment across all channels. It is a 1D LUT with the maximum 65,536 entries, ensuring maximum precision. cube file can be used in pretty much any major video editing package, including DaVinci Resolve, FCPX, Adobe Premiere / After Effects, and more. I haven't found a freely-available LUT out there, so I made my own after mathematically deriving the inverse of FiLMiC's Linear -> FiLMiC Log transfer function. Unfortunately, while FiLMiC outlines their log curve transfer function in their documentation, they don't provide an inverse transfer function, or a LUT for de-logging their footage in popular video editing software. If you purchase the appropriate add-on, you can shoot video in log, allowing you to preserve more shadow detail and effectively increase the number of usable stops of dynamic range in your footage. Public tips are allowed.ĭo you shoot video on iPhone? If so, you may have heard of FiLMiC Pro. u/shickey maintains a videography-themed weekly challenge subreddit, so if you're looking for something to shoot head on over to /r/DoCreativeĬamera, NLE, year started, general location Requests for feedback or comments must be posted in the monthly ‘I Made This/Feedback’ threadĪ full copy of the rules can be read here.Use of affiliate links must be disclosed in post.Links posted must relate directly to videography.If you're looking for professional-only discussion, give /r/videoprofessionals a shot! I have found the best workflow is to shoot with the flat look as this seems to be the most even balance of saturation and contrast in both highlights and lowlights. r/videography is a subreddit intended for all skill levels, from beginners all the way through to professionals to come together to discuss the trade. Filmic pro applies a log look to an h.264/HVEC file (which is a final output format), so there is no more colour information than what you see on the screen when shooting. For videographers interested in weddings, events, live performances, music videos, TV, corporate, live streaming, sports, real estate, YouTube, home videos and more, welcome to /r/videography. Well shot, properly exposed (no highlight clipping), noise free (minimum ISO) FiLMiC Pro 10-bit LOGv3 source video files correctly white balanced, and recorded at maximum “FiLMiC Extreme” bit rate.Destined for the big screen? Try /r/filmmakers.FilmConvert Nitrate ARRI Alexa Camera Pack (free download for FilmConvert Nitrate).FilmConvert Nitrate OFX plugin for DaVinci Resolve ( affiliate link – 10% discount).DaVinci Resolve (Free) or DaVinci Resolve Studio.PC or Mac which meets the minimum requirements to run DaVinci Resolve.Once you apply a LUT to your video clip the data inside that LUT color corrects your footage. The post production workflow is the same, only using the LOGv3 LUT instead of the LOGv2 LUT: How to Use the Richard Lackey FiLMiC Pro LOGv2 LUT for FilmConvert Nitrate It is basically like a creative filter for your video footage. In the meantime you can read the guide and watch the video tutorial for the LOGv2 version. My LOGv3 tutorial video and guide are coming soon. This discount stacks with any other discounts FilmConvert may be offering. You can get a 10% discount using my FilmConvert affiliate link. NOTE! This LUT is free to download and use, but it won’t give you a useful result without purchasing the FilmConvert Nitrate plugin for your NLE. Achieve beautiful film emulation for iPhone video. Download Richard Lackey’s FREE FiLMiC Pro LOGv3 LUT for use with FilmConvert Nitrate.
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